________________________________________________________________________ ______________ ______________ ______________ ______________ ______________ S P E C T R O P O P ______________ ______________ ______________ ________________________________________________________________________ Keep away from heat and direct sunlight ________________________________________________________________________ There are 5 messages in this issue #47. Topics in this digest: 1. Jackie DeShannon help? From: Stewart Mason 2. req, info on peppermint rainbow From: "Spectropop Admin" 3. Plastic Ono Band From: Jamie LePage 4. List of LA studios-engineers-arrangers etc. From: Carol Kaye 5. Exile on Sunset on Spike Radio (Vol.2) From: "Chris Carter" --------------------[ archived by Spectropop ]-------------------- Message: 1 Date: Tue, 10 Oct 2000 15:34:11 -0600 From: Stewart Mason Subject: Jackie DeShannon help? A good friend emailed me the following this morning: "Also, do you know much about Jackie Deshannon? She has such a huge output that I really don't know where to go other than the compilations. I'm guessing that the 60s albums have equal parts filler and good stuff, which is why a comp would work, but I've also heard that some of her 70s albums are really good straight through." And I'm kind of embarrassed to say that I just don't know. I think Jackie's a terrific songwriter, but it's occurred to me that I've heard *maybe* half a dozen of her own recordings ever. So for my friend's sake and my own, what's good? Is his perception of the 60s records about right or are they solid? What *is* a good comp? What's the cut-off date, as in "Don't bother with anything released after..."? Neither of us are scared of vinyl, so don't be afraid to suggest OOP stuff. Stewart --------------------[ archived by Spectropop ]-------------------- Message: 2 Date: Thu, 12 Oct 2000 03:56:12 -0000 From: "Spectropop Admin" Subject: req, info on peppermint rainbow req, info on peppermint rainbow Posted by chuck on Wed, 11 Oct 2000 15:55:35 ---------------------------------------------------------------------- ---------- Does anyone know if any of the group members of Peppermint Rainbow ever recorded with any other groups or individually? I know Paul Leka appeared with other groups, but I am particularly interested in the female singers with the group. The only one I know by name is Bonnie Lamdin. Any info would be greatly appreciated. --------------------[ archived by Spectropop ]-------------------- Message: 3 Date: Wed, 11 Oct 2000 13:24:43 +0900 From: Jamie LePage Subject: Plastic Ono Band There has been a lot of publicity lately surrounding release of the Beatles Anthology book, the 60th anniversary of John Lennon's birth, a John Lennon museum in Japan and worldwide re-release of two Lennon "solo" albums. I won't go into all of that here, but I am interested to know if anyone has heard the new Plastic Ono Band release. According to Reuters, Yoko Ono "supervised" the remixing and remastering of the 1970 album, which includes bonus tracks "Power to the People" and "Do the Oz". Not sure what Ono actually did as supervisor, but I sure am curious as to how the new mixes differ from Phil Spector's originals. Alternate takes of the POB sessions on the Lennon box set sound flat and uninspired compared with the original album. POB is my favorite Lennon solo album - the simplicity and roughness of the tracks seem at first to be at odds with Spector's typically full sound (e.g., All Things Must Pass. However, upon closer examination POB's album reveals Spector's subtle stacking of the simple instrumentation which is then filled out with delay and reverb in a way not dissimilar to other Spector productions of the era. This becomes most obvious when A/Bing with the box set outtakes. So my question is - has anyone heard this yet, and if so, how radically different is it from the original? One other question - Has anyone seen anything in the media where the reason for the remix is given? Obviously part of it is typical "new & improved" hype to induce fans to buy the same music again, but.usually when a high profile album like this is remixed, the reasoning behind the remix is used in press releases and news stories. I've seen nothing except that Ono supervised. I have always thought this album was mixed particularly well, especially given the raw quality of the arrangements and recording, and I just wonder what the official line is. Jamie --------------------[ archived by Spectropop ]-------------------- Message: 4 Date: Thu, 12 Oct 2000 09:43:25 -0700 From: Carol Kaye Subject: List of LA studios-engineers-arrangers etc. I have this on my Message Board currently and tho't you might like to see a list derived from the log from my studio work 1957 through the early 70s, a list of viable hot studios that were going day and night back in the 60s (and it is *not* complete at all....).this is just the list of those I've worked for back then. It was a day and night business, and no, no studio ever had its *own* band...all the 300 or so studio musicians (see partial list) frequented every studio. We were *all* free-lance independent contractors studio musicians...all in the Musicians' Union Local 47 (no, the Union never got us work, nor even tried....they don't do that...and in fact, they provide more support for the musicians now then back in those days via cheap video rates, musicians phone network etc. now). Everyone worked with each other and were hired either at the behest of the producer, the arranger, the record company, or the contractor (he had last-say on "who" got hired). Once in a great while someone outside would be hired at the asking of the "star" but this was a business, not a "favoritism" thing at all....if you played and helped everyone get a hit recording, you got hired. But if you were druggie, a boozer, etc. no, you were never hired....with so much money rolling on all the dates, no-one could afford to take a chance on a fouled up musician. You had to be on-time, you had to fit in with everyone, you had to be creative as you were counted on for unique creativity to help create instant lines (and most of the time in the 60s, that was necessary) as well as read if there was music even there to be read (in the TV film-movie studios, this was a huge criteria, reading and even creating). >>>Studios: Some studios at which I've recorded over the years: Radio Recorders, Gold Star, Radio Recorders Annex & 10-H (R. R. 10-H was later known as TTG), United, Western, El Do (El Dorado), Capitol, Harmony House, Nashville-West, Westwood, H-R (Henry Russell), TTG, Audio Arts, Moonglow, Steiners (Formosa St.), Hollywood Sound, Heider's, Conway, World Pacific (later known as Liberty), RCA, International Sound, Neophone, Ted's Studio, Crown Records, CBS, Columbia, Del Fi (Bob Keene's studio), Hollywood Central, Sunset Sound, Rendezvous, Ryder Sound, Stereo Masters, Whitney Studios - Glendale, RPM, Glenn-Glenn, Fox, Universal, MGM, Desilu, Columbia Studios both Valley and Fairfax, Paramount, Disney, Warner Bros., CBS Valley, CBS Fairfax, Emperor, American, Ultimate, Louis Jackson's, Bell Sound, McGregor's, Valentine's - No. Hollywood, LA Sound, Continental Sound, Stereo Fi, Goldwyn, RJ, Original Sound, Amigo, Venture, Record Plant, Hollywood Sound, Independent, Decca, Revolution Records in Toronto Can., Sound Factory, ID Sound, A&M, Sun-West, Studio Center, Dimension, Hollywood Video, Poppi, ABC-Dunhill, MGM-Fairfax, Abbey, Haji Sound, Devonshire. Also some various studios in Nashville, San Francisco, NYC, Kansas City, Ojai, San Diego, and Denver. Engineers: Some Engineers with whom I've worked: Thorn Nogar, Lowell Frank, Stan Ross, Larry Levine, Al Schmidt, Ami Hadani, Henry Lewy, Wally Heider, Pete Abbot, Bones Howe, Walter Gest, John Krause, Chuck Britz, David Wickes, Armin Steiner, Dave Hassenger, Eddie Brackett, Dick Bogart, Hank Cicalo, Joe Polito, Buddy Brundo, Larry Brown, Wally Traugott, Bob Costa, Val Garay, Humberto Gatica, Ed Green, Bruce Botnick, Lee DeCarlo, Angel Balestier, Michael Braunstein, Ian Eales, Joel Fein, Tim Boyle, Mickey Crawford, Jay Lewis, Murray McFadden, Joel Moss, Don Murray, John Neal, Joe Sidore, Guy Costa, Rudy___ at RPM.... SOME ARRANGERS: Some Arrangers for whom I've worked: H.B. Barnum, Perry Botkin, George Tipton, Jack Nitzschie, Perry Botkin, Bob Alcivar, Ray Pohlman, Gene Page, Don McGinnis, Pete King, Victor Mizzy, Lyn Murray, Quincy Jones, Billy Strange, Howard Roberts, Johnny Manne, Harold Batiste, Frank DeVol, Henry Mancini, Tom Scott, Lalo Schifrin, David Rose, Ernie Freeman, Art Freeman, Shorty Rogers, Oliver Nelson, Jerry Long, Gil Askey, Allan Copeland, Louie Jordan, Clare Fischer, Nelson Riddle, Michel LeGrand, Michel Columbier, Harry Sukman, Billy Goldenberg, Clark Gassman, Lincoln Mayorga, Don Ralke, Joe Green, Dee Marton, Billy May, Billy Byers, Jack Elliot, Don Ellis, Benny Golson, Sid Feller, Allan Copeland, Oliver Nelson, Tutti Camaratta, Ian Smith, Billy Vaughn, Jeff Barry, Lionel Newman, Alfred Newman, Mort Garson, Don Peake, Ray Conniff, Don Costa, Elmer Bernstein, Percy Faith, Artie Butler, Jack Hayes, John Bahler, Marty Paich, Jeff Alexander, Jack Eskew, Sy Mitchell, Lex Aznevous, Ralph Burns, Bob Prince, Al Sindray, Hugo Montenegro Tony Hatch, Johnny Mandel, Roger Kellaway, Nick DeCaro, Julius Wechter, J. J. Johnson, Jerry Goldsmith, Al Capps, David Gates, Mike Melvoin, Rene Hall, Hank Levine, Arthur Wright, Bob Bain, Sid Feller, Rene Block, Benny Carter, Burt Bachrach, John Williams, Dave Grusin, Bob Florence, Fred Karlin, Fred Myrow, Bob Thompson, Monk Higgins, Gene McDaniels, Don Piestrup, Jerry Fielding, Bob Rosario, David Shire, Les Baxter, Mickey Whelan, David Blumberg, Leonard Roseman, Harry Geller, Dick Orsoff, Syd Ramin, Harley Hutcherson, Dallas Smith, Jack Dougherty, Jewel Grant, Jerry Steiner, Marshall Leib, Nester Leavante, Gene Norman, Geo. De Barrio, Gary Paxton.... SOME PRODUCERS: Some Producers for whom I've worked: Bumps Blackwell, Herb Alpert, David Cavenaugh, Lester Sill, David Axelrod, Al Hazan, Bodie Chandler, Cliffie Stone, Joe Hooven, Mike Lloyd, Stu Phillips, Jack Lee, Neely Plumb, Bob Alcivar, Brian Wilson, Phil Spector, Tommy Allsup, Sonny Bono, Ike Turner, Scotty Turnbull (Turner), Lou Gottlieb, Jim Haskell, Al DeLory, Bill Justis, Rex Dennis, Murry Wilson, Randy Woods, Art Boduhn, Larry Gordon, Fred Smith, Wilder Bros., Kelly Gordon, Rich Delvy, Bob Keene, Randy Woods, Joe Reisman, Milt Rogers, Nino Tempo, Barry Devorzan, Dick Glasser, Ted Glasser, Marty Cooper, Jerry Riopelle, Nick Venet, Fred Darien, Al Allen, Dick Pierce, Kim Farley, Kim Weston, Don Crawford, Hank Russell, Joe Leahy, Jimmy Bowen, Lou Adler, Rene Hall, Joe Saraceno, Lou Bedell, Lennie Waronker, Joe Green, Barry White, Ron Shanklin, Gary Ziegly, Dick Bock, Randy Newman, Bill Justis, Don Crawford, Maxwell Davis, Jan Berry, Lee Young, Marc Gordon, Hal Davis, Frank Wilson, Rev. James Carmichael, Randy Sparks, Dick Burns, Green/Stone, Gary Lewis, Lee Hazelwood, Mike Curb, Dennis Lambert, Al Kooper, Dave Pell, Ben Johnston, Snuffy Garrett, Jerry Fuller, Chuck Sagle, Leon Russell, Frank Zappa, Charles Stern, Lou Raymond, Kip Tyler, Russ Titelman, Gary Usher, Geo. Garabedian, Don Crawford, Richard Perry..... SOME CONTRACTORS (Contractors are who make the calls to hire you in the studios, not always their choices...they have to follow the choices of the producers-arrangers and then their own choice): George Poole, Ben Barrett, Marty Berman, Jack Gruberman, Mike Rubin, Hy Lesnick, Sid Sharpe, Mike Post, Al Lapin, Urban Theilman, Ed Cobb, Jules Chaiken, Bobby Helfer, Viola and Marion Klein, Roxy Roth, Jim Bond, Don Lenier, John Vidor, Nate Caproff, Lennie Malarsky, Bill Miller, Sandy DeCrescent, Lloyd Basham, Mike (Michel)Rubini, Abe Segal, Kurt Wolf, Sol Gruberman, Charles Price, Herman Berardenelli, Phil Kahgen, Jack Schulman, ___Davidson.... also, any Union studio musician could draw up the contracts as a "contract" and thus earn 2x again more pay, dates didn't have to be booked by "regular contractors" who just did that work and nothing else. Music Copyists were a very important part of our recording business too, here's just a few names of the vip copyists: Bill Hughes, Vern Yokum, Bob Ross, Roger Farris, Bob Bornstein, Dave Ward. Drums: Hal Blaine, Earl Palmer, Sharkey Hall, Jesse Sailes, John Guerin, Paul Humphrey, Panama Francis, Shelly Manne, Alvin Stoller, Irv Cottler, Jim Keltner, Louis Bellson, Ed Thigpen, Jake Hanna, Ed Shaughnessey, Jeff Porcaro, Nick Ceroli, Harold Jones, Mel Lewis, Larry Bunker, James Gadson, Charley Blackwell, Ed Greene, Ron Tutt, Jack Sperling, Frankie Capp, Jackie Mills, Harvey Mason, Sol Gubin, Cubby O'Brien, Jim Gordon. Percussion: Gene Estes, Gary Coleman, Emil Richards, Julius Wechter, Joe Porcaro, Lou Singer, Jerry Williams, Victor Feldman, Lauder, Milt Holland, Bobbye Hall, Jack Lord, Alan Estes, Kenny Watson, Jack Arnold, Frank Flynn, Tommy Vig, Dale Anderson, Jerry Steinholtz, Larry Bunker. Guitar: Rene Hall, Howard Roberts, Bud Coleman, Tommy Tedesco, Barney Kessel, Tony Rizzi, Billy Strange, Glen Campbell, Allen Reuss, Bobby Gibbons, Bob Bain, Dennis Budimer, John Gray, Bill Pitman, Al Casey, Al Hendrikson, Irving Ashby, Mundell Lowe, Mike Anthony, Lou Morell, Al Viola, Ray Pohlman, Arthur Wright, Nick Bonney, Toots Thielman, Don Peake, Charles Wright, James Burton, Dean Parks, Mitch Holder, Mike D'Asey, David Cohen, Jerry Cole, Charley Chiarenza, Neil LeVang, David T. Walker, Larry Carlton, John Collins, Jim Helms, Al Vescovo, Louie Shelton. Keyboards: Don Randi, Leon Russell, Mike Melvoin, Arnold Ross, Larry Knechtal, Ray Johnson, Joe Sample, Clare Fischer, Larry Muhoberac, Pete Jolly, Lincoln Mayorga, Jimmy Jones, Gerald Wiggins, Mike Rubini, Don Abney, Mike Lang, Roger Kellaway, Billy Preston, Artie Butler, Clark Gassman, Russ Freeman, Dave Grusin, Mac abbennec, Gene Garf, Al DeLory, Gene Page, JoAnn Grauer, Pearl Kaufman, Paul Beaver (1st sysnthesizer), Jimmy Rowles. Saxes: Plas Johnson, Bill Green, Steve Douglas, Jackie Kelso, Jim Horn, Jay Migliori, Gene Cipriano, Abe Most, Willie Schwartz, Marshall Royal, Bob Hardaway, John Klemmer, Bud Shank, Paul Horn, Tony Ortega, Buddy Collette, Ted Nash, Bob Cooper, Ronnie Lang, John Bambridge, Pete Crisleib, Tom Scott, John Lowe, Julie Jacobs, Babe Rushton, Dick Houlgate, Harry Klee, Bill Holman, Harold Batiste, Chuck Gentry, Justin Gordon, Benny Golson, Bill Hood, Jack Montrose, Ernie Watts, Jack Nimitz. Trumpets: Ollie Mitchell, Tony Terran, John Audino, Pete & Conte Candoli, Blue Mitchell, Jules Chaiken, Bud Brisbois, John Best, Harry "Sweets" Edison, Cat Anderson, Bobby Shew, Chuck Findley, Paul Hubonen, Cappy Lewis, Manny Klein, Don Rader, Roy Caton, Buddy Childers, Ray Triscari, Bobby Bryant, Don Ellis, Maurey Harris, Steve Hufstetter, Oscar Brashear, Uan Rasey, Snooky Young, Jay Daversa, Al Aarons, Lee Katzman, Freddy Hill. Trombones: Lew McCreary, Dick Nash, Milt Bernhart, Dick Noel, Bob Enevoldsen, Harry Betts, Billy Byers, Tommy Shepard, Gail Martin, Lloyd Ulyate, George Roberts, Bob Brookmeyer, George Bohanon, Gil Falco, Bobby Knight, Charlie Loper, Dick Gould, Vern Friely, Kenny Shroyer, Mike Barone, Grover Mitchell, Dick Hyde, Lou Blackburn, JJ Johnson, Dave Wells, Curt Berg, Frank Rossolino, Tommy Pederson, Dick Leith, Chris Riddle. String Bass: Chuck Hamilton, Joe Comfort, Don Bagley, Adlophus Alsbrook, Al McKibbon, Chuck Berghofer, James Bond, Red Mitchell, Red Calender, Lyle Ritz, Buddy Clark, Cliff Hils, Ray Brown, Joe Mondragon, Ralph Pena, Steve LaFever, Monty Budwig, Irving Edelman, Chuck Domanico, Abe Luboff, Jim Hughart, Morty Corb, Gene Cerico, Bob Stone, Frank De La Rosa, Ray Durand, Bob West, Peter Mercurio, Mike Rubin, Ed Gilbert, Nat Gangursky, Abe Siegel, Sid Weiss, Jerry Scheff, Carson Smith, Rolly Bundock, Don Greif, Ray Neopolitan, Mel Pollan, Bob Berteaux, Max Bennett, Ray Siegel, Milt Kestenbaum. Elec. Bass: Ray Pohlman (first No. 1 call studio bassist LA 1957-1964+, was musical conductor of "Shindig" TV Show), Arthur Wright, Rene Hall, Bob West, Larry Knechtel, Buddy Clark, Chuck Berghofer, Jim Hughart, Joe Osborn, Max Bennett, Steve LeFever, Jerry Scheff, Lyle Ritz. Strings: John Vidor, Harry Bluestone, Lenny Malarsky, George Poole, Ed Lustgarten, Virginia Gill, Jimmy Getzoff, Eleanor Slatkin, Fred Katz, Ray Kramer, Tibor Zelig, Erno Neufelder, Fred Seykora, Bobby Bruce, Nate Kaproff, Jerry Reisler, Sid Sharpe, Al Saparoff, Anatol Kaminsky, Ray Kelly, Jerome Kessler, Ann Karam, Arnold Belnick. Harmonica: Tommy Morgan, Toots Theilman. French Horns: Vince De Rosa, Dick Perissi, Bill Hinshaw, David Duke, Willie Ruff, Dwight Carver. Harpists: Catherine Gotthoffer, Dorothy Remsen, Stella Castellucci, Gayle Levant, Joy ______ Accordian: Carl Fortina, Pete Jolly, Frank Marocco, Dominic Frontiere, Jimmy Haskell. Studio Singers: Jackie Ward, Gracia Nitzche, Bob Alcivar Singers, Billie Barnum, Susie Tallman, Gordon Mitchell, Gene Morford, Ian Smith, Ron Hickland singers, Randy Van Horne Singers (Vangie, B.J., Mary, Hugh, Thurough, Bob Zwern, Sue, Allen), the Blossoms (Darlene Love, Fanita, Jean King), Johnny Mann Singers, Jack Halloran Singers, Jimmy Joyce Singers, John & Tom Bahler, Al Capps (Eligibles), George Tipton, Ian Freebairn-Smith, Brenda & Pat Holloway, Clydie King, Ray Pohlman, Loren Farber, Tom Bosley, Betty Burke, Barbara Caton, Clark Gassman, Don Robertson, Scott Page, Merrie Clayton, Sally Stevens. There are more than this list, but this gives you a picture of the musicianship, a real family of talented people, who made 1,000s of recordings of the late 50s, 60s, early 70s, etc. Carol Kaye http://www.carolkaye.com/ --------------------[ archived by Spectropop ]-------------------- Message: 5 Date: Wed, 11 Oct 2000 16:48:01 -0700 From: "Chris Carter" Subject: Exile on Sunset on Spike Radio (Vol.2) Hey Now! "Exile on Sunset" is up and running! Yes you can listen 24 hours a day...... 7 days a week to non-stop hand picked classic cool sounds.The show will change every Tuesday... JUST CLICK AND LISTEN ....IT'S ON RIGHT NOW!!!!!!!!!! 24/7....24/7....24/7...24/7.... Here's what you do ...after clicking on http://www.spikeradio.com 1. Go to "Radio"... 2. Pick your speed (56K)....etc... 3. Scroll down to ROCK-CLASSICS ...click 4. LISTEN....(a child can do it!!!!) Here's what you can hear this week Velvet Underground, The Rock & Roll Loaded Warner Bros. Calloway, Cab Reefer Man Ost - Grass Mercury Dylan, Bob Ballad Of A Thin Man Highway 61 Revisited Columbia Quicksilver Messenger Service Fresh Air OST - Grass Mercury Rolling Stones, The Citadel Their Satanic Majesties Request London Flamin Groovies, The Teenage Head Groovies Greatest Grooves Sire Cooper, Alice Slick Black Limousine The Life And Crimes Of Alice Cooper Rhino Presley, Elvis Bossa Nova Baby Sings Leiber & Stoller RCA Monkees, The Porpoise Song (Theme From "Head") Head Rhino Beatles, The Blue Jay Way Magical Mystery Tour EMI Electric Light Orchestra Oh No Not Susan On The Third Day Jet Wood, Roy Tonight The Definite Album BR Music Bolan, Marc Hippy Gumbo The Beginning Of Doves MediaMotion Tyrannosaurus Rex Catblack (The Wizard's Hat) Unicorn Castle Communications T. Rex Tenement Lady/Darling Left Hand Luke: The Alternate Tanx Edsel Cars, The Moving In Stereo The Cars Rhino Alexander, Willie Mass. Ave V/A - DIY - Mass. Ave.:The Boston Scene (1975-83) Rhino Mission Of Burma That's When I Reach For My Revolver V/A - DIY - Mass. Ave.:The Boston Scene (1975-83) Rhino Television Marquee Moon Marquee Moon Elektra Only Ones, The Another Girl, Another Planet V/A - DIY - Teenage Kicks:UK Pop 1 Rhino Devo Uncontrollable Urge Pioneers Who Got Scalped: The Anthology Rhino Cramps, The Human Fly Psychedelic Jungle/Gravest Hits I.R.S. Drake, Nick River Man Five Leaves Left Hannibal Simon And Garfunkel Scarborough Fair/Canticle Parsley, Sage, Rosemary, And Thyme Columbia Buckley, Tim Ashbury Park Version 2 Works In Progress Rhino Young, Neil Expecting To Fly Decade Reprise Morrison, Van Slim Slow Slider Astral Weeks Warner Bros. Clash, The The Right Profile London Caliing Epic Hunter, Ian All American Alien Boy Once Bitten Twice Shy Columbia John, Dr. Right Place Wrong Time The Ultimate Dr. John Warner Little Anthony & The Imperials Shimmy, Shimmy, Ko-Ko-Bop V/A - Dick Van Dyke's Dance Party Sony Jackson 5 Goin' Back To Indiana Greatest Hits Motown Edmunds, Dave I Hear You Knocking V/A - Incredible Collections:Wheel Of Knowledge Rhino Sensational Alex Harvey Band, The Gang Bang The Collection Castle Communications Slade Coz I Love You Feel The Noize - Slade Greatest Hits Polydor Sweet Wig Wam Bam The Best Of Sweet Capitol Roxy Music Editions Of You For Your Pleasure Virgin Eno, Brian Third Uncle Taking Tiger Mountain (By Strategy) EG Be Bop Deluxe Mill Street Junction Tramcar To Tomorrow Hux City Boy Deadly Delicious City Boy Bear Tracks Bowie, David Unwashed And Slightly Dazed Bowie At The Beeb Virgin Bowie, David White Light/White Heat Bowie At The Beeb Virgin Bowie, David Cracked Actor BBc Radio Theatre, London, June 27, 2000 Virgin Fall, The Bill Is Dead Extricate Cog - Sinister Velvet Underground, The Some Kinda Love The Velvet Underground Verve Smith, Patti Group Space Monkey Easter Arista Doors, The The Soft Parade The Soft Parade Elektra Mothers, The The Mud Shark Fillmore East - June 1971 Rykodisc Faces, The Too Bad The Best Of Faces: Good Boys...When They're Asleep... Warner Archives/Rhino Stewart, Rod True Blue Never A Dull Moment Mercury Wood, Ron Sure The One You Need I've Got My Own Album To Do Warner Bros. Beck, Jeff I Ain't Superstitious Truth Epic Jam, The The Butterfly Collector Extras Polydor Rich Kids Ghosts Of Princes In Towers V/A - DIY - Teenage Kicks - UK Pop 1 (1976 - 79) Rhino Band, The Whispering Pines The Band Capitol Young, Neil Broken Arrow Decade Reprise Beach Boys, The Here Today Pet Sounds Capitol Revere, Paul & The Raiders Kicks The Essential Ride 63-67 Columbia Who, The Glow Girl Odds And Sods MCA Who, The Pictures Of Lily BBC Sessions MCA Small Faces Itchycoo Park OST - Grass Mercury Mick Jagger Memo From Turner OST - Performance Warner Bros. Lomax, Jackie Sour Milk Sea Is This What You Want? EMI Beatles, The Think For Yourself Yellow Submarine Capitol Lowe, Nick So It Goes The Best Of Nick Lowe Columbia Lowe, Nick So It Goes The Best Of Nick Lowe Columbia Buzzcocks Ever Fallen In Love V/A - DIY - Starry Eyes - UK Pop 2 Rhino Robinson, Tom Band All Right All Night TRB Two Razor & Tie --------------------[ archived by Spectropop ]-------------------- End
Spectropop text contents & copy; copyright Spectropop unless stated otherwise. All rights in and to the contents of these documents, including each element embodied therein, is subject to copyright protection under international copyright law. Any use, reuse, reproduction and/or adaptation without written permission of the owners is a violation of copyright law and is strictly prohibited. All rights reserved.